Masterdisk owner and chief engineer, Scott Hull, sat down with Joel Handley at Reverb.com for a chat about vinyl records:Read More
This is an important step, one that really should be considered at the very beginning of the mix process. Let's look at some guidelines to help. In general, your mix should not hit zero. Ever. And that includes the level meters on the tracks, both inside the plugins and at the mix bus.Read More
I have two tracks on the album that I'd like to have flow right into one another, but still be separate tracks. I think I will be mixing them together as if they are one track, so effects and EQ will match. When it comes time to send them to you, would it be best to send them both to you as one WAV file and let you know where to separate, or is this the wrong approach to begin with?Read More
How do we listen to CDs and MP3s? We hear them in the car, while jogging, over computer speakers while we blog (as I am now, listening to yesterday’s mastering project, Dave Matthews), and from the tiny little ear buds plugged into our iPhones.
How do we listen to records?Read More
Let’s talk about some basic equipment. The most important piece of audio equipment in my disk cutting room is my ears. Because every single decision I make is based on what I’m hearing, and how that relates to thousands of other records I’ve heard and mastered. Gearheads might be a little disappointed with that statement, but musicians can probably relate.Read More
I joined Masterdisk in 2010. A lifelong musician, I had also been working as a marketer in the staffing industry for 10 years. Joining the Masterdisk team was a move I was very excited about. I knew the legacy of the studio, the work of the engineers, and the parade of stars whose music had passed through the Masterdisk mastering consoles.Read More
Making a vinyl record is a rather complex manual and chemical process. Let’s look at some of the steps and terminology to make things easier.Read More
A vinyl LP can hold over 40 minutes of music a side. But, the sound quality isn’t good at all.
So, to make a great sounding record I have to be concerned about the playing time, and how the music itself sets the parameters for sound quality. It’s complex, but I will break it down:Read More